Film(ish) photo video editing Downloads & RevenueFilm(ish) photo video editing · App Store
Film(ish) photo editing
Not in any tracked top chart right now.
Updated 11 Nov 2026 · rankings refresh through the day
DeveloperCatalin Bridinel
CategoryPhoto & Video
PriceFree
Released
Rating★ 0.0 (0)
Version1.9
Age rating4+
First seen by us
24 Oct 2026
24 Oct 2026Installs (est.)1k+ worldwide
Film(ish) photo video editing update history & changes
Last change · 17 events since 17 Apr 2026Full timeline ↓🌟Featured by Apple🌟Featured by Apple📦Updated to version 1.9📈Dropped out of every chart we track🆕First spotted by AppInsider📦Version 1.8🆕Released on the App Store
Full timeline · 17 events
- 🌟Film(ish) photo video editing featured by Appleapps · CA
- 🌟Film(ish) photo video editing featured by Appleapps · CA
- 🌟Film(ish) photo video editing featured by Appleapps · CA
- 🌟Film(ish) photo video editing featured by Appleapps · CA
- 🌟Film(ish) photo video editing featured by Appleapps · CA
- 🌟Film(ish) photo video editing featured by Appleapps · CA
- 🌟Film(ish) photo video editing featured by Appleapps · CA
- 🌟Film(ish) photo video editing featured by Appleapps · CA
- 🌟Film(ish) photo video editing featured by Appleapps · CA
- 🌟Film(ish) photo video editing featured by Appleapps · CA, US
- 🌟Film(ish) photo video editing featured by Appleapps · CA, US
- 🌟Film(ish) photo video editing featured by Appleapps · CA, US
- 📦Film(ish) photo video editing updated to version 1.9Embrace Imperfection
LENS
Lens simulation, in Effects. 5 lens presets: Helios, Biotar, Cooke, Dispo and Anamorphic. Every element of the lens character is fully tunable: Tilt, Lens Vignette, Color Cast, Bokeh, Chromatic Aberration, Fringing, Coma, Sharpness and Distortion. Bokeh is driven by lens shape – the Lens Blur effect will replace it with a depth-based bokeh but preserve all other lens characteristics.
MATCH
Match: new color grading tool – select a reference photo to match colors, contrast and brightness. Adjust each individually and use “Protect skin” to set how much these adjustments affect skin tones.
DAMAGE AND PAPER
Damage, in Effects, brings all the artifacts that come with scanning film: Dust, Fine Dust, Hairs, Scratches and Stains. The effect is fully procedural. On video, the dust changes every frame.
Paper, in Effects, simulates the photo as a print. Surface sets paper type: Lustre, Silk, Linen, Matte or Laid. Print renders the photo as ink: Newsprint, Offset, Magazine or Book halftone. Folds, Wear, and Age complete the look.
CURVES
Curves replaces Levels in Grading: more precision and flexibility. Luma, Red, Green and Blue curves with two edit modes: Parametric or Spline.
LAB Contrast, in Curves: adjust color contrast in Oklab color space. Use it to control saturation without affecting brightness.
DEHAZE, HEAL AND CLONE
Dehaze in Exposure (below Clarity) clears haze, mist and smoke, or adds it.
Heal and Clone join Generate Fill in Erase. They fill by intelligently sampling the same photo, so no pixels are generated.
PRINT
Noritsu, in Print beside Frontier: a second lab-scan look – a gentler S-curve, lighter mids, slightly lifted blacks, cooler whites and peach skin.
Frontier is free. The SP3000 print is called Frontier and no longer needs Pro, and a free slide film on a Normalized RAW prints on Frontier automatically.
FILM FRAMES
Film frames from 8mm to 120. The Film frame has a gauge row – 8mm, 16mm, 35mm and 120.
– 8mm and 16mm are optimized for video to simulate an overscanned movie strip with unique variations on each individual frame. When the Super 8 frame is used on a clip, it will render at 18 frames a second and add motion blur to match the frame rate and shutter angle of a Super 8 camera.
– 120 Shape places the photo in the film gate of a 120 camera.
– 35mm edge print: the maker's marks along the strip, name and frame numbers, DX code.
VIDEO
Log clip decoding supports more profiles and the color conversion is more flexible.
– Skin, Selective Color and Noise Reduction now available in the video editor too.
– Frame rate option in video export.
– Bulk export now works with video too.
ALSO
– Copy Edits on one device and Paste on another. Sync Copied Edits requires Handoff.
– Edit the time and date printed by the Date stamp under Text.
– New in Settings: Export ▸ Effects quality.
– New in Settings: default Print for non-RAW photos. Off, Frontier or Noritsu.
– HDR scopes: with HDR on, the histogram and scopes accurately display HDR stops.
IMPROVED
– Improved highlight recovery on iPhone HDR photos and on log and HDR clips.
– Refined Halation and bloom on video.
– Flare shape is improved and has new options: Min and Max Source Size.
– Lens Blur combines subject and depth masks to refine complex outlines like hair.
– Chromatic Aberration updated for more realistic rendering.
– Weave effect is refined for extra realism.
– Rec.709 HEVC video exports in 10-bit.
– Heavy exports run in stages with memory checks for extra stability and fewer failures.
FIXED
– Fixed erased photos synced to another device arriving without the erase.
– Fixed .cube LUTs saved on Windows failing to import as "Not a 3D LUT".
– Fixed halation, bloom and mist smearing a glow along the frame's edge where the edge cuts through a light.
– Fixed the anamorphic flare in an export picking different lights than the preview.
– Fixed highlights above white flattening on HDR clips with an Analog frame and Halation or Diffusion.… more - 📈Film(ish) photo video editing dropped out of every chart we trackLast seen 23 Oct
- 🆕Film(ish) photo video editing first spotted by AppInsider#100 in Top Grossing · Photo & Video · Vietnam
- 📦Film(ish) photo video editing version 1.8BULK EDITING
Select photos straight from your library and apply a preset or paste an edit onto all of them at once – they land in Drafts, ready to fine-tune. Choose what to paste: the look, the crop, the text, even an erase, so sensor dust comes off a whole shoot in one go. Copy Edits and Paste Edits are in the editor's menu too.
FILM AND PRINT
21 new film simulations: classic cinema negatives from the fifties to the nineties, Kodak Gold, Ultramax, ColorPlus, Kodacolor, Ektachrome, Pro 400H and Velvia 100, plus Polaroid 600, SX-70 and FP-100C. Every instant film now comes with its own print. 12 new prints, from Technicolor to the look of a lab scanner, and a Surface section to age a print or take it from glossy to matte.
BLUR
Lens Blur now blurs like a real lens: the foreground spills over your subject and the background melts away behind it. Motion Blur zooms and spins around a point you choose, and keeps your subject – or the background – sharp.
ALSO NEW
– An HDR slider sets how bright your HDR photos go.
– Extract HDR is free: HDR from RAW no longer needs Pro.
– Erase keeps every RAW develop option, and Undo takes back an erase or a double exposure.
– Patchy skin? Smoothness evens it out and keeps the texture.
– Split Tone gets Strength; Vignette gets roundness and a lens of its own.
– Faster scrolling in big iCloud libraries.
– Look Finder, in the Film(ish) tab of Presets: spin a film and a print on two wheels and compare two looks side by side.
– A tidier editor: every panel in sections, each with its own help.
FIXES
– Tapping a film in Presets starts from a clean look, and its card matches what you get.
– Erased and double-exposed photos stay that way in batch export and when you re-edit them.
– After a bulk paste, draft thumbnails show text, frames and date stamps.
– RAW files with Extract HDR reopen in HDR.
– Mist's HDR glow holds steady while you edit.
– A zoomed-in crop pans freely, with perspective correction too.
– The vignette stays centered on off-center crops.
– More reliable exports of large photos.… more - 🆕Film(ish) photo video editing released on the App Store
Collected from the stores by AppInsider since we first spotted the app. Dates are when we saw each change.
Rating
0.0 ★
0 ratings
Measured
Film(ish) photo video editing on the App Store
App details
App ID
6761363553
Publisher
Catalin Bridinel
On the store since
Apr 2026
Under a year
Minimum OS
iOS 17.0+
iPhone XS and later
Devices
iPhone · iPad
Universal purchase
Content rating
4+
Languages
8
EN FR DE JA KO PT ZH ES
Size
91 MB
Also listed in
Graphics & Design
Film(ish) photo video editing downloads
Worldwide, per day, and installs to date. The band is open; the exact number is free with an account.
How this is calculated
Apple publishes no download counts. App Store downloads come from chart positions and daily rating growth per country, calibrated on Google Play install counts; lifetime installs from ratings worldwide × installs per rating. Confidence is the chance the real number is within half to double ours.
Active users
All platforms, worldwide. Free with an account.
Stickiness (DAU / MAU)
how many monthly users open it on a given day
How this is calculated
Monthly users come from lifetime installs across every store, fitted on monthly active user figures companies publish; daily users = monthly × the typical daily/monthly ratio for the category. Confidence is the chance the real number is within half to double ours.
Where it ranks now
Every top chart it appears in across 30 countries.
| Country | Charts | Rank |
|---|---|---|
| Not charting right now. | ||
Ratings
App Store, worldwide.
Rating
0.0 ★
0 ratings
Measured
Ratings
0
Measured
About Film(ish) photo video editing
Your phone takes sharp, clean, technically perfect photos. Film(ish) makes them feel real.
Film(ish) simulates real analog film stocks – the way light scatters through emulsion layers, how silver halide grains develop unevenly, how highlight halation bleeds warmth into bright edges. The result isn't a look – it's your photo reimagined as if it was shot on film. And it works on video, frame by frame, with the same pipeline.
WHAT MAKES IT REAL
Every stock is a complete system, not a color grade:
Grain that develops the way silver halide actually develops – stochastic, chromatic, part of the image rather than noise laid on top.
Halation that bleeds warm glow around highlights. Diffusion with the soft roll-off of a Pro-Mist filter – dreamy without being blurry.
Characteristic curves – the nonlinear way film maps light to density. Smooth highlight compression, rich shadow separation, and the organic tonal rolloff digital cameras just don't do.
100+ FILM SIMULATIONS
Kodak, Fuji, Agfa, and the films history forgot – color negative, slide, cinema, instant, black and white, from the original 1936 Kodachrome to stocks that disappeared decades ago. The new cinema stocks render as a projected print, and a Print stage can put any photo on real print film – Kodak 2383, Fuji ETERNA – or photographic paper.
FOR CASUAL SHOOTERS
Pick a film stock. Adjust the strength. Export. Beautiful analog photos in seconds.
FOR COLOR NERDS
Go deeper. Way deeper.
Develop RAW on your own terms: As Shot, Normalized, or Log. Normalized strips the camera's processing and develops every RAW to one uniform base, so a preset renders the same across cameras and conditions. Decoder MIX blends your own decode and exports it as a linear DNG.
Then grade like a colorist: Hue vs and Sat vs curves, Split Tone built on real toner chemistry, per-hue color across 8 zones with dye-density control, Shadows, Midtones and Highlights in perceptual space, print contrast curves, and scopes – histogram, waveform, RGB parade, vectorscope – with a clipping warning that knows each stock's latitude. Masks stack: linear, radial, luminance, color, depth, sky, subject, and a brush.
BULK EDITING
Select photos straight from your library and apply a preset or paste an edit onto all of them at once – they land in Drafts, ready to fine-tune. Choose what to paste: the look, the crop, the text, even an erase, so sensor dust comes off a whole shoot in one go.
FINISHING
Text that develops into the film, with variables for camera, date, ISO, and place. Frames: 35mm with real perforations, 120 with the maker's own edge print. Light leaks, lens blur with real bokeh, motion blur, anamorphic flares, double exposure, a date stamp that burns in as light, and on-device Erase.
VIDEO
The full film pipeline on every frame. Edit LOG from any camera with your own conversion LUT, grade Apple Log, keep HDR. Gate weave and animated light leaks for the projector feel.
PRIVATE BY DESIGN
Everything happens on your device. N
Film(ish) simulates real analog film stocks – the way light scatters through emulsion layers, how silver halide grains develop unevenly, how highlight halation bleeds warmth into bright edges. The result isn't a look – it's your photo reimagined as if it was shot on film. And it works on video, frame by frame, with the same pipeline.
WHAT MAKES IT REAL
Every stock is a complete system, not a color grade:
Grain that develops the way silver halide actually develops – stochastic, chromatic, part of the image rather than noise laid on top.
Halation that bleeds warm glow around highlights. Diffusion with the soft roll-off of a Pro-Mist filter – dreamy without being blurry.
Characteristic curves – the nonlinear way film maps light to density. Smooth highlight compression, rich shadow separation, and the organic tonal rolloff digital cameras just don't do.
100+ FILM SIMULATIONS
Kodak, Fuji, Agfa, and the films history forgot – color negative, slide, cinema, instant, black and white, from the original 1936 Kodachrome to stocks that disappeared decades ago. The new cinema stocks render as a projected print, and a Print stage can put any photo on real print film – Kodak 2383, Fuji ETERNA – or photographic paper.
FOR CASUAL SHOOTERS
Pick a film stock. Adjust the strength. Export. Beautiful analog photos in seconds.
FOR COLOR NERDS
Go deeper. Way deeper.
Develop RAW on your own terms: As Shot, Normalized, or Log. Normalized strips the camera's processing and develops every RAW to one uniform base, so a preset renders the same across cameras and conditions. Decoder MIX blends your own decode and exports it as a linear DNG.
Then grade like a colorist: Hue vs and Sat vs curves, Split Tone built on real toner chemistry, per-hue color across 8 zones with dye-density control, Shadows, Midtones and Highlights in perceptual space, print contrast curves, and scopes – histogram, waveform, RGB parade, vectorscope – with a clipping warning that knows each stock's latitude. Masks stack: linear, radial, luminance, color, depth, sky, subject, and a brush.
BULK EDITING
Select photos straight from your library and apply a preset or paste an edit onto all of them at once – they land in Drafts, ready to fine-tune. Choose what to paste: the look, the crop, the text, even an erase, so sensor dust comes off a whole shoot in one go.
FINISHING
Text that develops into the film, with variables for camera, date, ISO, and place. Frames: 35mm with real perforations, 120 with the maker's own edge print. Light leaks, lens blur with real bokeh, motion blur, anamorphic flares, double exposure, a date stamp that burns in as light, and on-device Erase.
VIDEO
The full film pipeline on every frame. Edit LOG from any camera with your own conversion LUT, grade Apple Log, keep HDR. Gate weave and animated light leaks for the projector feel.
PRIVATE BY DESIGN
Everything happens on your device. N
Latest updates
1.9
Embrace Imperfection
LENS
Lens simulation, in Effects. 5 lens presets: Helios, Biotar, Cooke, Dispo and Anamorphic. Every element of the lens character is fully tunable: Tilt, Lens Vignette, Color Cast, Bokeh, Chromatic Aberration, Fringing, Coma, Sharpness and Distortion. Bokeh is driven by lens shape – the Lens Blur effect will replace it with a depth-based bokeh but preserve all other lens characteristics.
MATCH
Match: new color grading tool – select a reference photo to match colors, contrast and brightness. Adjust each individually and use “Protect skin” to set how much these adjustments affect skin tones.
DAMAGE AND PAPER
Damage, in Effects, brings all the artifacts that come with scanning film: Dust, Fine Dust, Hairs, Scratches and Stains. The effect is fully procedural. On video, the dust changes every frame.
Paper, in Effects, simulates the photo as a print. Surface sets paper type: Lustre, Silk, Linen, Matte or Laid. Print renders the photo as ink: Newsprint, Offset, Magazine or Book halftone. Folds, Wear, and Age complete the look.
CURVES
Curves replaces Levels in Grading: more precision and flexibility. Luma, Red, Green and Blue curves with two edit modes: Parametric or Spline.
LAB Contrast, in Curves: adjust color contrast in Oklab color space. Use it to control saturation without affecting brightness.
DEHAZE, HEAL AND CLONE
Dehaze in Exposure (below Clarity) clears haze, mist and smoke, or adds it.
Heal and Clone join Generate Fill in Erase. They fill by intelligently sampling the same photo, so no pixels are generated.
PRINT
Noritsu, in Print beside Frontier: a second lab-scan look – a gentler S-curve, lighter mids, slightly lifted blacks, cooler whites and peach skin.
Frontier is free. The SP3000 print is called Frontier and no longer needs Pro, and a free slide film on a Normalized RAW prints on Frontier automatically.
FILM FRAMES
Film frames from 8mm to 120. The Film frame has a gauge row – 8mm, 16mm, 35mm and 120.
– 8mm and 16mm are optimized for video to simulate an overscanned movie strip with unique variations on each individual frame. When the Super 8 frame is used on a clip, it will render at 18 frames a second and add motion blur to match the frame rate and shutter angle of a Super 8 camera.
– 120 Shape places the photo in the film gate of a 120 camera.
– 35mm edge print: the maker's marks along the strip, name and frame numbers, DX code.
VIDEO
Log clip decoding supports more profiles and the color conversion is more flexible.
– Skin, Selective Color and Noise Reduction now available in the video editor too.
– Frame rate option in video export.
– Bulk export now works with video too.
ALSO
– Copy Edits on one device and Paste on another. Sync Copied Edits requires Handoff.
– Edit the time and date printed by the Date stamp under Text.
– New in Settings: Export ▸ Effects quality.
– New in Settings: default Print for non-RAW photos. Off, Frontier or Noritsu.
– HDR scopes: with HDR on, the histogram and scopes accurately display HDR stops.
IMPROVED
– Improved highlight recovery on iPhone HDR photos and on log and HDR clips.
– Refined Halation and bloom on video.
– Flare shape is improved and has new options: Min and Max Source Size.
– Lens Blur combines subject and depth masks to refine complex outlines like hair.
– Chromatic Aberration updated for more realistic rendering.
– Weave effect is refined for extra realism.
– Rec.709 HEVC video exports in 10-bit.
– Heavy exports run in stages with memory checks for extra stability and fewer failures.
FIXED
– Fixed erased photos synced to another device arriving without the erase.
– Fixed .cube LUTs saved on Windows failing to import as "Not a 3D LUT".
– Fixed halation, bloom and mist smearing a glow along the frame's edge where the edge cuts through a light.
– Fixed the anamorphic flare in an export picking different lights than the preview.
– Fixed highlights above white flattening on HDR clips with an Analog frame and Halation or Diffusion.
1.8
BULK EDITING
Select photos straight from your library and apply a preset or paste an edit onto all of them at once – they land in Drafts, ready to fine-tune. Choose what to paste: the look, the crop, the text, even an erase, so sensor dust comes off a whole shoot in one go. Copy Edits and Paste Edits are in the editor's menu too.
FILM AND PRINT
21 new film simulations: classic cinema negatives from the fifties to the nineties, Kodak Gold, Ultramax, ColorPlus, Kodacolor, Ektachrome, Pro 400H and Velvia 100, plus Polaroid 600, SX-70 and FP-100C. Every instant film now comes with its own print. 12 new prints, from Technicolor to the look of a lab scanner, and a Surface section to age a print or take it from glossy to matte.
BLUR
Lens Blur now blurs like a real lens: the foreground spills over your subject and the background melts away behind it. Motion Blur zooms and spins around a point you choose, and keeps your subject – or the background – sharp.
ALSO NEW
– An HDR slider sets how bright your HDR photos go.
– Extract HDR is free: HDR from RAW no longer needs Pro.
– Erase keeps every RAW develop option, and Undo takes back an erase or a double exposure.
– Patchy skin? Smoothness evens it out and keeps the texture.
– Split Tone gets Strength; Vignette gets roundness and a lens of its own.
– Faster scrolling in big iCloud libraries.
– Look Finder, in the Film(ish) tab of Presets: spin a film and a print on two wheels and compare two looks side by side.
– A tidier editor: every panel in sections, each with its own help.
FIXES
– Tapping a film in Presets starts from a clean look, and its card matches what you get.
– Erased and double-exposed photos stay that way in batch export and when you re-edit them.
– After a bulk paste, draft thumbnails show text, frames and date stamps.
– RAW files with Extract HDR reopen in HDR.
– Mist's HDR glow holds steady while you edit.
– A zoomed-in crop pans freely, with perspective correction too.
– The vignette stays centered on off-center crops.
– More reliable exports of large photos.