SoundSpice Downloads & RevenueSoundSpice: Audio Enhancer · App Store
SoundSpice : Réduire le bruit
Not in any tracked top chart right now.
Updated 3 Nov 2026 · rankings refresh through the day
DeveloperPierre Stanislas
CategoryUtilities
Price9.99 EUR
Released
Rating★ 0.0 (0)
Version1.0
Age rating4+
First seen by us
25 Oct 2026
25 Oct 2026SoundSpice: Audio Enhancer update history & changes
Last change · 5 events since 28 Jul 2026Full timeline ↓📈Dropped out of every chart we track🆕First spotted by AppInsider🆕Its developer released another app: Meeting Transcriber: Saidby📦Version 1.0
Full timeline · 5 events
- 📈SoundSpice: Audio Enhancer dropped out of every chart we trackLast seen 26 Oct
- 🆕SoundSpice: Audio Enhancer first spotted by AppInsider#27 in Top Paid · Utilities · France
- 🆕SoundSpice: Audio Enhancer: its developer released another app: Meeting Transcriber: Saidby
- 📦SoundSpice: Audio Enhancer version 1.0No release notes
- 🆕SoundSpice: Audio Enhancer released on the App Store
Collected from the stores by AppInsider since we first spotted the app. Dates are when we saw each change.
Rating
0.0 ★
0 ratings
Measured
SoundSpice: Audio Enhancer on the App Store
App details
App ID
6794842042
Publisher
Pierre Stanislas
On the store since
Jul 2026
Under a year
Minimum OS
iOS 18.6+
iPhone XS and later
Devices
iPhone · iPad
Universal purchase
Content rating
4+
Languages
7
EN FR DE IT JA ZH ES
Size
3 MB
Also listed in
Productivity
Where it ranks now
Every top chart it appears in across 30 countries.
| Country | Charts | Rank |
|---|---|---|
| Not charting right now. | ||
Ratings
App Store, worldwide.
Rating
0.0 ★
0 ratings
Measured
Ratings
0
Measured
About SoundSpice: Audio Enhancer
SoundSpice takes a recording that sounds bad and hands it back clean.
Drop in a file and processing starts at once — no setup screen, no faders, no decisions before you can hear the improvement. SoundSpice measures your sound, repairs what is actually wrong with it, levels it to a loudness target, and shows you exactly what it changed.
WHAT IT FIXES
Applied only where your recording needs it:
• Mains hum at 50 or 60 Hz, and its harmonics, notched out
• Background noise, hiss and room tone reduced against a measured noise profile
• Clipped peaks reconstructed, rumble and DC offset removed, lopsided stereo repaired
• Harsh sibilance tamed on speech
• Muddy, boxy or thin tonal balance corrected by wide, gentle automatic EQ
• Uneven levels steadied; flat, over-compressed audio given its transients back
• Loudness normalized, true peaks limited to −1 dBTP
Nothing is aggressive: every stage has guardrails, does less when in doubt, and never touches your original file.
EIGHT BLENDS, ONE TAP
Once the repair pass is done, add character — or don't:
• None — the processed file, with nothing added
• Natural — gentle warmth below 100 Hz, smooth above 8 kHz
• Voice — lifts speech presence around 3 kHz and steadies the level
• Warmth — rounder lows, softer upper mids
• Brightness — opens the top above 10 kHz, with a touch of width
• Punch — sharpens transients and firms up the low punch
• Depth — adds low-end weight that carries on small speakers
• Vintage — tape-style saturation, softened top end
Each blend has Light, Medium and Strong intensity; switching is instant.
MEASUREMENTS, NOT ADJECTIVES
• A spectrum comparison — original against processed on a log frequency axis, with the regions the chain acted on shaded
• Band levels over time — seven bands across the whole file, one shared dB scale, live playhead
• Before and after: integrated loudness (LUFS), true peak (dBTP), loudness range (LU), noise floor (dBFS)
• What changed, in plain language — found, then applied; taken from the run itself, so a stage that never fired is never claimed
• Original / Processed, loudness-matched by default so louder cannot pass for better. Hold to peek at the original
FORMATS AND EXPORT
• Opens WAV, AIFF, CAF, MP3, AAC/M4A, ALAC, FLAC, Ogg Vorbis, Opus, and the audio of MP4/MOV video, up to 192 kHz
• Exports M4A (AAC 256 kbps), ALAC, WAV, AIFF or FLAC, source metadata intact
• A loudness target for where it is going: −14 LUFS Streaming, −16 LUFS Podcast, −23 LUFS Broadcast (EBU R128), or As-is
• Starts from the share sheet ("Enhance with SoundSpice"), from Files, or by dropping a file anywhere; on Mac, drag the result out into Finder or Mail
• Many times faster than real time; long files finish in the background
Made for podcasters cleaning up remote recordings, musicians polishing demos, students with field recordings and voice memos, and anyone with no wish to learn what a compressor is.
NOTHING LEAVES YOUR DEVICE
Every measurement and correction runs on your
Drop in a file and processing starts at once — no setup screen, no faders, no decisions before you can hear the improvement. SoundSpice measures your sound, repairs what is actually wrong with it, levels it to a loudness target, and shows you exactly what it changed.
WHAT IT FIXES
Applied only where your recording needs it:
• Mains hum at 50 or 60 Hz, and its harmonics, notched out
• Background noise, hiss and room tone reduced against a measured noise profile
• Clipped peaks reconstructed, rumble and DC offset removed, lopsided stereo repaired
• Harsh sibilance tamed on speech
• Muddy, boxy or thin tonal balance corrected by wide, gentle automatic EQ
• Uneven levels steadied; flat, over-compressed audio given its transients back
• Loudness normalized, true peaks limited to −1 dBTP
Nothing is aggressive: every stage has guardrails, does less when in doubt, and never touches your original file.
EIGHT BLENDS, ONE TAP
Once the repair pass is done, add character — or don't:
• None — the processed file, with nothing added
• Natural — gentle warmth below 100 Hz, smooth above 8 kHz
• Voice — lifts speech presence around 3 kHz and steadies the level
• Warmth — rounder lows, softer upper mids
• Brightness — opens the top above 10 kHz, with a touch of width
• Punch — sharpens transients and firms up the low punch
• Depth — adds low-end weight that carries on small speakers
• Vintage — tape-style saturation, softened top end
Each blend has Light, Medium and Strong intensity; switching is instant.
MEASUREMENTS, NOT ADJECTIVES
• A spectrum comparison — original against processed on a log frequency axis, with the regions the chain acted on shaded
• Band levels over time — seven bands across the whole file, one shared dB scale, live playhead
• Before and after: integrated loudness (LUFS), true peak (dBTP), loudness range (LU), noise floor (dBFS)
• What changed, in plain language — found, then applied; taken from the run itself, so a stage that never fired is never claimed
• Original / Processed, loudness-matched by default so louder cannot pass for better. Hold to peek at the original
FORMATS AND EXPORT
• Opens WAV, AIFF, CAF, MP3, AAC/M4A, ALAC, FLAC, Ogg Vorbis, Opus, and the audio of MP4/MOV video, up to 192 kHz
• Exports M4A (AAC 256 kbps), ALAC, WAV, AIFF or FLAC, source metadata intact
• A loudness target for where it is going: −14 LUFS Streaming, −16 LUFS Podcast, −23 LUFS Broadcast (EBU R128), or As-is
• Starts from the share sheet ("Enhance with SoundSpice"), from Files, or by dropping a file anywhere; on Mac, drag the result out into Finder or Mail
• Many times faster than real time; long files finish in the background
Made for podcasters cleaning up remote recordings, musicians polishing demos, students with field recordings and voice memos, and anyone with no wish to learn what a compressor is.
NOTHING LEAVES YOUR DEVICE
Every measurement and correction runs on your
Latest updates
1.0
