AD-202 Downloads & RevenueAD-202 · App Store
AD-202 is #105 in Music Paid in Japan and charting in 1 of 30 countries we track.
Updated 8 Nov 2026 · rankings refresh through the day
DeveloperAudio Damage, Inc.
CategoryMusic
Price6.99 GBP
Released
Rating★ 4.9 (9)
Version1.0.5
Age rating4+
First seen by us
24 Sep 2026
24 Sep 2026Installs (est.)1k+ worldwide
📈Dropped out of every chart we track📈Entered the top 10 on iPad · Top Paid All Apps🆕First spotted by AppInsider📦Version 1.0.5🆕Released on the App Store
Full timeline · 11 events
- 📈AD-202 dropped out of every chart we trackLast seen 3 Nov
- 📈AD-202 entered the top 10 on iPad · Top Paid All AppsAR
- 📈AD-202 entered the top 100Top Paid · Music · CA
- 📈AD-202 charting in a new countryCanada
- 📈AD-202 entered the top 100Top Paid · Music · JP
- 📈AD-202 charting in a new countryJapan
- 📈AD-202 entered the top 100Top Paid · Music · GB
- 📈AD-202 charting in a new countryUnited States
- 🆕AD-202 first spotted by AppInsider#69 in Top Paid · Music · Italy
- 📦AD-202 version 1.0.5No release notes
- 🆕AD-202 released on the App Store
Collected from the stores by AppInsider since we first spotted the app. Dates are when we saw each change.
Rating
4.9 ★
9 ratings
Measured
Best rank now
#105
Music PaidMeasured
New ratings a week
1.6
App Store, 4-week average
Measured
AD-202 on the App Store
App details
App ID
6795327427
Publisher
Audio Damage, Inc.
On the store since
Aug 2026
Under a year
Minimum OS
iOS 16.0+
iPhone 8 and later
Devices
iPhone · iPad
Universal purchase
Content rating
4+
Size
78 MB
Also listed in
Entertainment
AD-202 downloads
Worldwide, per day, and installs to date. The band is open; the exact number is free with an account.
How this is calculated
Apple publishes no download counts. App Store downloads come from chart positions and daily rating growth per country, calibrated on Google Play install counts; lifetime installs from ratings worldwide × installs per rating. Confidence is the chance the real number is within half to double ours.
Active users
All platforms, worldwide. Free with an account.
Stickiness (DAU / MAU)
how many monthly users open it on a given day
How this is calculated
Monthly users come from lifetime installs across every store, fitted on monthly active user figures companies publish; daily users = monthly × the typical daily/monthly ratio for the category. Confidence is the chance the real number is within half to double ours.
Where it ranks now
Every top chart it appears in across 30 countries.
| Country | Charts | Rank |
|---|---|---|
| Japan | MusicPaid | #105 |
Apps near AD-202 on the chart
Music Paid, around #105.
Ratings
App Store, worldwide.
Rating
4.9 ★
9 ratings
Measured
Ratings
9
Measured
Review momentum
ⓘ How we measure thisNew ratings a week
1.6
4-week average
Lifetime rating
4.8★
recent stars not readable yet: new ratings are a tiny share of the total
Review momentum
62/100
faster than 70% of Music apps
Review momentum (0-100) blends how fast the app collects ratings compared with other apps in its category (60%), whether that pace is speeding up (25%) and what recent raters give it (15%; recent stars well below lifetime pull it down). Ratings counts are read daily. A jump usually means a launch, a feature, ads or a new review prompt.
About AD-202
We rebuilt the legendary micro composer of 1983, then gave it everything the original owners wished for: eight voices, MPE, a sequencer worthy of the name, and a couple of new dirty tricks.
The voice is the one you know: a single fat oscillator with sawtooth and pulse (manual, LFO, or envelope PWM), a three-mode sub oscillator, and a noise source, mixed and driven into a classic four-pole lowpass filter. One snappy ADSR, switchable env/gate VCA, and an LFO with triangle, square, stepped random, and noise shapes, complete with onset delay, tempo sync, and retrigger. Portamento with the proper on/auto/off modes, and gate, gate+trig, and LFO trigger modes, exactly like the hardware.
And the a sequencer: eight patterns of up to 64 steps, drawn right on the panel, with accent, slide, and octave per step, follow actions and repeats, swing, and tools to randomize in a key and scale, mutate, copy, and rotate. Play a pattern from a held key, transpose it from the keyboard, lock it while you browse presets, and run it from its own clock, the host transport, or an Ableton Link session in the standalone. Sequences save with your presets.
• Eight-voice polyphony, or the original mono behavior with the flip of a switch
• MPE support with per-note pitch bend and pressure, four aftertouch destinations (VCO mod, VCF mod, filter freq, LFO rate), and adjustable pressure smoothing
• MTS-ESP microtonal tuning, retuned continuously while notes sound
• SPREAD for stereo voice panning, and AGE, which drifts each voice like forty-year-old components
• A full drive section: pre-filter saturation, filter drive, post-VCA distortion, and a tilt EQ
• Velocity to filter and amp
• A chicklet keyboard with latch and octave shift, playable right on the panel
• Full preset manager with favorites and a factory bank
• Five faceplate colors, including one for console cowboys
• AUv3 and standalone, with an interface that fills whatever window your host hands it
AD-202 works everywhere iOS makes noise: AUM, apeMatrix, Logic Pro, GarageBand, Cubasis, and any other AUv3 host, plus a standalone app with its own audio and MIDI settings, Ableton Link, and background audio.
No subscriptions. No accounts. No nonsense. Buy it once, own it forever.
The voice is the one you know: a single fat oscillator with sawtooth and pulse (manual, LFO, or envelope PWM), a three-mode sub oscillator, and a noise source, mixed and driven into a classic four-pole lowpass filter. One snappy ADSR, switchable env/gate VCA, and an LFO with triangle, square, stepped random, and noise shapes, complete with onset delay, tempo sync, and retrigger. Portamento with the proper on/auto/off modes, and gate, gate+trig, and LFO trigger modes, exactly like the hardware.
And the a sequencer: eight patterns of up to 64 steps, drawn right on the panel, with accent, slide, and octave per step, follow actions and repeats, swing, and tools to randomize in a key and scale, mutate, copy, and rotate. Play a pattern from a held key, transpose it from the keyboard, lock it while you browse presets, and run it from its own clock, the host transport, or an Ableton Link session in the standalone. Sequences save with your presets.
• Eight-voice polyphony, or the original mono behavior with the flip of a switch
• MPE support with per-note pitch bend and pressure, four aftertouch destinations (VCO mod, VCF mod, filter freq, LFO rate), and adjustable pressure smoothing
• MTS-ESP microtonal tuning, retuned continuously while notes sound
• SPREAD for stereo voice panning, and AGE, which drifts each voice like forty-year-old components
• A full drive section: pre-filter saturation, filter drive, post-VCA distortion, and a tilt EQ
• Velocity to filter and amp
• A chicklet keyboard with latch and octave shift, playable right on the panel
• Full preset manager with favorites and a factory bank
• Five faceplate colors, including one for console cowboys
• AUv3 and standalone, with an interface that fills whatever window your host hands it
AD-202 works everywhere iOS makes noise: AUM, apeMatrix, Logic Pro, GarageBand, Cubasis, and any other AUv3 host, plus a standalone app with its own audio and MIDI settings, Ableton Link, and background audio.
No subscriptions. No accounts. No nonsense. Buy it once, own it forever.
Latest updates
1.0.5
