Dottre: Halftone Print Lab
Not in any tracked top chart right now.
Updated 25 Oct 2026 · rankings refresh through the day
DeveloperJames Moore
CategoryPhoto & Video
Price2.99 USD
Released
Rating★ 5.0 (1)
Version1.2
Age rating4+
First seen by us
4 Oct 2026
Rating
5.0 ★
1 ratings
Measured
Dottre: Halftone Print Lab on the App Store
App details
App ID
6762490295
Publisher
James Moore
On the store since
Jun 2026
Under a year
Minimum OS
iOS 17.0+
iPhone XS and later
Devices
iPhone · iPad
Content rating
4+
Languages
1
EN
Size
10 MB
Also listed in
Graphics & Design
Where Dottre: Halftone Print Lab's downloads come from Modelled
Last 30 days: organic search, browsing the store, features and paid ads.
Where it ranks now
Every top chart it appears in across 30 countries.
| Country | Charts | Rank |
|---|---|---|
| Not charting right now. | ||
Ratings
App Store, worldwide.
Rating
5.0 ★
1 ratings
Measured
Ratings
1
Measured
About Dottre: Halftone Print Lab
Dottre turns photographs into simulated CMYK halftone prints.
Split images into Cyan, Magenta, Yellow and Black. Adjust dots, density and registration. Experiment with paper stocks, and use Portrait depth to separate subjects from their backgrounds before printing.
Built for photographers, designers and printmakers.
WORK IN DOTS, NOT PIXELS
Every image is rebuilt from halftone dots.
* Control dot size and density.
* Create clean screens or heavy print textures.
* Shape contrast through the printing process.
THINK IN PLATES
Build the image one plate at a time.
* View or isolate CMYK channels.
* Print in colour, mono or negative.
* Decide how each plate contributes.
PERFECT IS OPTIONAL
Real print is rarely perfect.
* Offset channels.
* Introduce registration drift.
* Create subtle movement or bold separation.
BRING THE SUBJECT FORWARD
Portrait photos can use depth information to separate subjects from the background.
* Isolate people naturally.
* Print onto coloured or textured paper.
* Create bold poster-style compositions.
CHOOSE YOUR SURFACE
Print onto more than white paper.
* Newsprint
* Kraft
* Matte
* Fine Art
* Custom colours
MADE FOR PRINT
Create posters, zines, artwork and experimental graphics.
Because sometimes the print is more interesting than the photograph.
Split images into Cyan, Magenta, Yellow and Black. Adjust dots, density and registration. Experiment with paper stocks, and use Portrait depth to separate subjects from their backgrounds before printing.
Built for photographers, designers and printmakers.
WORK IN DOTS, NOT PIXELS
Every image is rebuilt from halftone dots.
* Control dot size and density.
* Create clean screens or heavy print textures.
* Shape contrast through the printing process.
THINK IN PLATES
Build the image one plate at a time.
* View or isolate CMYK channels.
* Print in colour, mono or negative.
* Decide how each plate contributes.
PERFECT IS OPTIONAL
Real print is rarely perfect.
* Offset channels.
* Introduce registration drift.
* Create subtle movement or bold separation.
BRING THE SUBJECT FORWARD
Portrait photos can use depth information to separate subjects from the background.
* Isolate people naturally.
* Print onto coloured or textured paper.
* Create bold poster-style compositions.
CHOOSE YOUR SURFACE
Print onto more than white paper.
* Newsprint
* Kraft
* Matte
* Fine Art
* Custom colours
MADE FOR PRINT
Create posters, zines, artwork and experimental graphics.
Because sometimes the print is more interesting than the photograph.
Latest updates
1.2
This version sees improvements to image rendering and file handling as well as some smaller bug fixes.
• Authentic CMYK halftone: clean circular dots that carry the tone, from open highlights through to solid shadows
• Save JPEG, HEIC or PNG straight to Photos
• Export single channels on a transparent background. Carry the artwork on in whatever/wherever you work in next
• DEPTH isolation for Portrait photos
• More reliable saving of large and RAW photographs
• A finer, better-spaced DOT dial: from a near-photographic MICRO to a bold poster ABSTRACT
• DENSITY now brings black in as detail: fine dark lines and lettering print crisp, easing back into the dot pattern through heavier dots rather than a hard edge
• The screen now prints right to the edge of the frame, with no fine seam along the border
• A cleaner yellow plate: the faint banding and interference in pale areas is gone
• Switching plates off now re-angles yellow to suit, so partial prints keep a proper rosette instead of clashing
• Saved images now carry the same colour and vibrancy you see on screen