Trevni: Film Negative Inverter
Trevni: Film Negative Inverter is #55 in Photo & Video Paid in Netherlands and charting in 1 of 24 countries we track.
DeveloperJames Moore
CategoryPhoto & Video
Price2.99 EUR
Released
Rating★ 0.0 (0)
Version1.3
Age rating4+
First charted🇳🇱 25 Sep 2026
Where it ranks now
Every top chart it appears in across 24 countries.
| Country | Charts | Rank |
|---|---|---|
| 🇳🇱 Netherlands | Photo & VideoPaid | #55 |
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Sign inEstimated downloads and revenue, ratings momentum, rank history, recent reviews per country and breakout scores for Trevni: Film Negative Inverter.
About Trevni: Film Negative Inverter
Trevni: Film Negative Converter
Whether you’re digitising old family negatives or working with your latest rolls, Trevni converts previously photographed or scanned film negatives from your photo library into true-to-life images. No curves or levels required.
One-touch conversion:
• Instantly convert C-41 colour and black & white film negatives
• Automatically removes the orange mask from colour film
• Preserves original image quality and metadata
• Works with photographed or scanned negatives
Presets & fine-tune control:
• Built-in presets for fast, reliable starting points
• Create and save your own custom adjustment presets
• Sample areas for precise colour or tonal accuracy
• Adjust temperature, tint, exposure, contrast, and saturation
• Tailored specifically to analogue workflows and film characteristics
Fast, intuitive workflow:
• Import a negative from your Camera Roll
• Choose colour or black & white film
• Sample, adjust, and export your final image
• Ready to share, archive, or print
Compatible workflows:
• iPhone captures (light table or backlight)
• Digital camera scans
• Flatbed scanner files
Perfect for:
• Film photographers
• Analogue photography enthusiasts
• Students and educators
• Image restoration and digital archiving
Designed by a film photographer, for film photographers
Trevni focuses on faithful conversion, not gimmicks, delivering clean, natural results while staying out of the way of your creative process.
Whether you’re digitising old family negatives or working with your latest rolls, Trevni converts previously photographed or scanned film negatives from your photo library into true-to-life images. No curves or levels required.
One-touch conversion:
• Instantly convert C-41 colour and black & white film negatives
• Automatically removes the orange mask from colour film
• Preserves original image quality and metadata
• Works with photographed or scanned negatives
Presets & fine-tune control:
• Built-in presets for fast, reliable starting points
• Create and save your own custom adjustment presets
• Sample areas for precise colour or tonal accuracy
• Adjust temperature, tint, exposure, contrast, and saturation
• Tailored specifically to analogue workflows and film characteristics
Fast, intuitive workflow:
• Import a negative from your Camera Roll
• Choose colour or black & white film
• Sample, adjust, and export your final image
• Ready to share, archive, or print
Compatible workflows:
• iPhone captures (light table or backlight)
• Digital camera scans
• Flatbed scanner files
Perfect for:
• Film photographers
• Analogue photography enthusiasts
• Students and educators
• Image restoration and digital archiving
Designed by a film photographer, for film photographers
Trevni focuses on faithful conversion, not gimmicks, delivering clean, natural results while staying out of the way of your creative process.
Latest updates
1.3
Fixes to RAW support:
Trevni now supports RAW files from Nikon and Canon cameras, Adobe DNG, and ProRAW from iPhone. Your negative is processed at full resolution, preserving much more detail for conversion and editing.
Full-resolution export:
Save your finished positive as JPEG, HEIC or TIFF. TIFF keeps every pixel for further editing; JPEG and HEIC are better for sharing.
Your photo’s details come with it:
Camera, lens, exposure settings, date and location carry across to the saved image, so an inverted frame stays as easy to find in your library as the original.
Smoother to use:
Sampling the film base and moving the adjustment sliders are noticeably more responsive, especially on large files.